From Oberlin to the Open Jam

The Prompt

Place Contact Improvisation in its lineage. Cite Paxton’s Magnesium performances of June 1972, one strand of contact’s transmission through the 1980s or 1990s, and at least one academic or critical text on the form.

Completion Criteria

Three citations and a short essay (two or three paragraphs) on what the form inherits, what it has shed, and what it has held onto.

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